Cinema Tehran presents Cairo Station (1958), the masterpiece that established Youssef Chahine’s s international reputation. Though initially a commercial failure in Egypt, the film would become one of the most influential and celebrated works in all of Arab cinema.

The director himself stars as Kenawi, a disabled newspaper hawker whose obsession with a sultry drink seller (Hind Rostom, known as the “Marilyn Monroe of Arabia”) leads to tragedy of operatic proportions on the streets of Cairo. Blending elements of neorealism with provocative noir-melodrama, Cairo Station is a work of raw populist poetry that explores the individual’s search for a place in Egypt’s new postrevolutionary political order.

Preceded by:

Orderly or Disorderly (Abbas Kiarostami, 1981, 18 min.)
The first shot shows students descending a staircase in calm, orderly fashion, then the second details the same action as a chaotic rush. Separated by slates and director Abbas Kiarostami’s voice intoning, “Sound, camera,” subsequent sequences describe the same dichotomous behavior in a schoolyard, on a school bus, and in the haphazard traffic of Tehran. Kiarostami described this as “a truly educational film,” but it plays more like a quirky philosophic aside.